He will get you, and there is nothing you can do about it. However, he will allow you to choose the weapon that he kills you with.
What weapon (from the films or not) do you choose to be taken out with?
>Classic (Kimber 1911, Benelli M4, Glock 19, etc)
>Meme (Keltec KSG, Katana, etc)
>Off The Wall (a frickin pencil)
Also, what is the /k/onsensus on these films?
He gets a liberator pistol that fires a custom bullet with a velocity of 1 millimeter per second
>He will get you, and there is nothing you can do about it
I have enough meds to kill myself with silently and peacefully. Good luck, John Wick.
At least let the man work for his money, jesus christ.
I want to get shot by a PZH2000 in direkt fire mode at point blank range, staring straight down into the barrel.
Make it happen John.
>At least let the man work for his money, jesus christ.
You don't understand. I'm not like other people. Pain hurts me.
Kolobri 2mm
I liked the first one. I lost interest with the second and could barely finish the third. They shouldn't have over explained their universe and kept most of it vague and in the shadows.
For my weapon I request that John Wick kills me with a live puppy.
They just became too videogamey in their world and too formulaic in their cast and plot points past 2.
They needed their
>Showpiece weapon
>Former Matrix/general action star rival and ally
>New game mechanic
>Continued game mechanic from the last film
John Wick 2
>Benelli M4 and Kimber 1911
>Laurence Fishburne as the Ally and Common as the Rival
>Bullet Proof Suits and Markers
>Nothing to continue yet
John Wick 3
>No sommelier or specific gift weapon scene so the closest is probably the SIG MPX and Benelli M2 with Steel Slugs
>Halle Berry as the Ally who also loves her dogs and Mark Dacascos as the Rival
>Super Armored enemies and the continuously rising contract on John
>More people now have armored suits
John Wick 4
>TTI Pit Viper and TTI Gen 12 with Dragon's breath
>Hiroyuki Sanada as the Ally and Donnie Yen as a Rival/Ally
>Magic Ceremonies that can save him
>Everyone has a bullet proof suit, every other enemy is super armored, and the rising contract is bigger and bigger
It really made me kinda wish there were proper John Wicks games because of how they feel and flow. I'd honestly say they're the best video game movies ever made.
So I don't usually even post in /k/, but if you really, unironically, truly want to play a proper John Wick game at 30fps 720p, then there's a game out there for PS3 and XBOX 360 where you can do just that but finding a copy nowadays is probably impossible so you'd have to just pirate the files and play on a PS3 emulator or something.
Enter The Bourne Conspiracy, action packed with cinematic takedowns, QTEs, Uncharted style melee combat during firefights, etc...
Oh it's fun, oh it's very fun, and it was ahead of its time in terms of cinematic gameplay.
?feature=shared
>Not Splinter Cell Conviction
Splinter Cell Conviction was Bourne Conspiracy Lite, it was in every sense a failed attempt at trying to become a spiritual successor of The Bourne Conspiracy, this is Ubishit competing with High Moon Studios, THE High Moon Studios, you decide for yourself.
Ubisoft did redeem themselves after they made the first and only the first Watch_Dogs, but that's about it...
I guess there were a few Far Crys also, mainly Far Cry 2, 3, 4, Primal, Far Cry Blood Dragon, Zombi U, aaaand that's it.
The side scene in every sequel to introduce the newest hero gun(s) are so eye-rollingly bad and are part of the problem of overexplaining the universe. In the first one, if you knew the guns, good for you, but if not, they looked badass and you could still enjoy looking at them. Then the second movie came along and fell into the trap of taking the elements that people loved and overdoing them, cool guns and realistic mag capacities being the problem here. Gun guys liked the first one for those reasons, then the second one beat you over the head with it with the "Kimber 1911, 7 rounds" and made counting shots and mag capacity a noticeable part of the end fight for any viewer. It probably made a lot of people feel cool in the moment because they knew what a Kimber 1911 was, but it felt too much like pandering to me, especially with the sommelier scene. Why would a globetrotting assassin not know exactly what kind of guns he wants and need some douchebag to explain them?
>sommelier
I just find that funny because it's the same dude from the Kitchen Gun skit.
Oh shit, it is. I just remembered him as the tick.
I thought the same, then watched 4 in 4k hdr and realized it is pure art with a gun action movie theme.
It looks really good. The hdr makes excellent use of light and contrast. Every scene is on a set with lighting and angles meant to maximize the effect.
Pure art.
4 is an aesthetically very pretty movie. Well shot, well choreographed, good props and setting. It's really dumb, but I enjoyed looking at it.
Granted, I haven't seen any of the others.
That silly pistol he put together from that antique store in the third film.
Gyrojet
Picrel
Came in here to post this, would also accept the dildo from Saints Row.
Don't forget picrel
Imagine it somehow managed to ND up your ass
>Imagine it somehow managed to ND up your ass
Sounds like a win-win for the kind of person that is okay with shoving a loaded weapon up their ass like a homosexual
Wouldn't it ND out your ass?
How come EVERYTHING they do relate to the ass and gayshit
Like, it's surreal
John chang isnt re-
Time.
1 was good rest garbage I will suck on a m4 loaded with magnum buckshot.
If it's John from the first movie, I might stand a chance, but John from 2, 3, and 4 is a superhuman and you're moronic for trying to kill him. That's what ruined the sequels.
Expanding the world was a mistake. The first one worked because it was a secret society of organized crime in one city that included assassins. Then 2 and 3 come along and turn it into a global secret society that focuses more on assassins than crime. What the frick is even the point of having that many assassins running around? What do they do besides collecting bounties on each other? What does this secret society even do? The first movie was also more relatable for the audience because it doesn't try to be anything more than a simple revenge movie, but there's no audience connection with the main character when he's a globetrotting super assassin with no real motivation any more except staying alive.
Then there's the literal plot armor which could have worked if they treated it like his vest in the 1st movie, but when John keeps getting shot, but never in the legs or hands, its just dumb. Oh yeah, and somehow he's the only person in the world who can shoot people in the head. The guns turned from being cool to being product placements that are forced pandering to the gun enthusiasts watching. Then they had to up the ante with the gunfights and while I can accept the 3-gunning, they end up throwing so many baddies at John and Company that the choreography gets to be obvious as armed people needlessly run up the John, clearly pause and wait to get killed, and can never shoot from retention. I know I sound like some wannabe movie critic homosexual, but I really enjoyed the 1st one and I'm sad to see that the sequels threw away all the charm.
>the choreography gets to be obvious as armed people needlessly run up the John, clearly pause and wait to get killed
I somewhat agree, but want to give the action choreographers their credit for trying. The biggest issue with it all is best exemplified in the opening Japan fight in John Wick 4. When he takes on groups of 3-5 guys in the art room it felt like all the guys in each wave were trying to take him on at once, but they came in small squads. If the like 20 guys he killed in that scene weren't split up into smaller groups it would've been over, so they instead had him take them on in smaller waves that show up immediately after the last wave is killed. Still, it feels better than a lot of other films.
It's wasn't always a terrible formula. In John Wick 2 when he's going through New York and taking on small groups it made sense because he fought them as he comes across them, as opposed to having people actively hunt him and decide to take him on in smaller groups for no reason at all.
For me they hit the bottom with Caine. I don't care how well trained he is, or how good is hearing is, Having a blind man take part in a gunfights and be as effective as he was is just plain moronic
I could've maybe forgiven it if he was born blind, and not blinded when he was like 40 or something. They could've pulled some kind of BS like he has super 3D hearing because the vision part of his brain is now dedicated to hearing or some ridiculous shit. I mean there are fully blind people that can do some cool stuff for that reason, although nothing even close to what Caine is doing in John Wick 4. Honestly, even him being able to read braille is hard believe. Often people blinded much later in life find it impossible to learn.
Although, they obviously just wanted the cool "blind master" cliche from a bunch of kung fu movies, and he's played by an actual Hong Kong action star. I understand why they did it, and even though they try to make the movies "visceral" and "real" feeling, I think they realized by 2 what kind of movies they were making and said frick it. They at least did some fun stuff with the character, like the proximity door bells in combat and the sword guide cane.
The whole 4th movie was possibly one of the worst rapings of a film franchise I've ever seen. Yes, even worse than Crystal Skull. I know you've seen it, but here's the movie for those who haven't so I can save you three fricking hours of your life.
A major plot point of the third movie, John needing to call in big favors to safely travel, is thrown away and John can now warp between continents from one scene to the next. They finally abandoned the idea of any normal people living in this world when the NY continental is suddenly blown up. In New York City of all places, an entire building is suddenly blown up and crumbles to the ground, and that's just normal in the JW universe. Then we're at the Tokyo continental, and their security is guys with bows doing Legolas shit. Not Joking. This one action sequence drags on for a half an hour or something, and this is only the first one of the movie. And when we're in Tokyo, the dude who's actually blind shows up and starts killing everyone.
While in Tokyo, that guy from Book of Eli shows up, but this time he has a dog, and he's just another bounty hunter. The movie tries to make him a cool character, but it never works. Anyways, they all go to Germany to kill a High Table guy, where John, Eli, and Blind Dude all play a game of poker with this fat ass guy, but that turns into another nightclub fight sequence with the axe gang, a 300lb man throwing high kicks, and using playing cards as weapons.
Later, they're back in France, where John casually jumps out of a fifth-floor window and lands on a van, gets hit by three cars, is thrown down 200 steps without taking any serious damage, but then he gets killed by Blind Dude in a pistol duel. The end. It was way too long and the action got boring, because there are only so many ways for people to fight to the death.
I recall tuning out during the latter stages of John Wick 4. The only thing that snapped me back to paying attention was when they reused the club shootout music from the first movie during the overhead scene, which is one of the few good fight scenes in 4.
This is what happens when the studios get your soul.
I believe the original creator was forced out/left after he didn't like the direction the movies were moving to and they brought in Shay Hatten, the dude who keeps writing for Zack Snyder. He's been fricking it since 3 but the damn thing keeps bringing in money.
The movies are very much style over substance but at least the first two weren't absolutely braindead.
Remember what happened with Taken (Liam Neeson) when it became a franchise and not a one-shot.
There's more than one taken movie?
>Crystal Skull
…but enough about Dial of Destiny.
I admit that this sounds silly, but I could accept Caine in 4 because the whole movie was already silly and over the top. If they put him in 2 or 3 I would call BS.
This anon gets it. Know what you're watching.
It would have been more logical in JW4 to swap the roles for the two asians.
A blind guy being able to defend his hotel where he has learned all its geography and access routes etc would have made more sense.
The sighted guy then attacking is at a slight disadvantage as he is unfamiliar with the layout.
Having the blind guy attacking in strange territory was unrealistic to have to handle both disadvantages, as he'd enter a doorway and not know how deep the room was and get shot by some guy standing too far away to hear him breathing.
And the falling down the stairs became a Wyle.E.Coyote comedy by the third layer but he still kept falling all the way to the bottom.
I'd argue Wick was already a Looney Tunes character after he fell off a building and hit every piece of scaffolding and railing on the way down.
Imagine the first film if Wick had the ridiculous durability of the later films. He could just walk through his house and tank pistol rounds to the chest instead of displaying any actual combat skill.
The first movie had John interacting with the real world. His former employers were just the Russian mafia and When his home is attacked, the police come buy to see what the commotion was etc. by the third movie the real world may as well not exist. The over explanation is arguably at its worst when Bronn is the boss of making the assassin coins. Who cares about the history of these things? All it needs to be is an untraceable form of payment.
Frankly by the forth movie, how moronic do you have to be to try and go for the bounty against the guy who has killed hundreds of your fellow super assassins in the space of a week. You could easily make more money taking the contracts left open because all the other assassins are dead.
>The first movie had John interacting with the real world. His former employers were just the Russian mafia and When his home is attacked
You just going to explain away the super criminal hotel in the middle of Manhattan? The first movie was also ridiculousm
to be fair, it did look like it also operated as a normal hotel, atleast in the first movie. plus if the cop was paid off, im sure the neccesary city officials were too. besides, a building ran by criminals in the middle of new york isnt too hard to belive. you cant compare that to the utter nonsense that was the the forth movie.
>cant compare that to the utter nonsense that was the the forth movie.
Actually, the director was really clever. The first 3 movies take place in a 2 week period in 2014, the first time gap is in-between 3 and 4. That meant John was in Paris in November of 2015. In the reality of the film, the gun fight we see is what was actually the 2015 Paris Attacks. It was covered up by the high table in the film as the terrorist attack. The death toll from the Paris battle and the real life Paris attacks are the exact same. That's how they can explain a massive battle in the middle of Paris making sense in the world.
Shit, that would have been cool if they actually explained that in the movie
It would've probably been seen as in very poor taste. Whereas, if a director lets that slip in an interview that only a couple thousand people will see, it won't cause a big fuss.
"There's a high class hotel for high class hitmen" is way, way less of an ask than the shit they pulled later.
Like, you do know that most of the world's famous people and politicians are part of pedophile cults, right?
New York being a headquarters or hot bed for criminal activity isn’t a stretch. A couple hundred or couple thousand mid to upper level connected criminals makes that semi believable. It’s a speakeasy on steroids
The only clever badguy/criminal/killer in all of JW1-4 is Francis the doorman at the club.
Casual chat, gets out of JWs way, possibly the '57lbs' is supposed to be a tipoff how many other goons are inside, but I think its just a coincidence as there's no reason not to just say 'x number of guys'.
Even in JW1 - it would be simpler and cheaper just to kill his idiot son, apologise profusely, give the car back, and offer to pay that fancy South Korean veterinary hospital to clone the original dog, it wasn't very old so wouldn't have a lot of built-up character traits from being a new puppy.
I want him to douse me in gasoline and burn me alive like I deserve.
I have never seen a second of John Wick.
He gets a Davis .32 Derringer with the sights filed off.
Your terms would be acceptable
I’m still mad at the Continental fight
>Hmm, I’m going to have to face heavily armored enemies. What weapon should I choose?
>Oh, I know! A Glock in 9mm major!
>Shit, that doesn’t work. What else!
>Oh! A 9mm PCC! That’s definitely work!
>Shit. 9mm still won’t penetrate.
>A shotgun with slugs! That’s the ticket.
Such a stupid sequence. If they really wanted to do an escalation of pistol -> long gun -> something powerful but stupid, it should have been basic b***h Glock to AR to something silly like one of those 458 win mag Garands. Or be boring and go AP .308
worst of all is that I clearly remember John and Charon suiting up in a room fool of ARs and long guns, yet all of Winston's men engage the table's super assassins while only carrying handguns.
And that’s the thing.
If the armor was a surprise, I could totally understand underestimating how much firepower you need.
But they explicitly stated “oh, yeah. The High Table goons are going to be heavily armored. You need more firepower” and chose to go with a riced up 9mm anyway.
I choose his friend Sofia's thighs.
Not Akira's thighs?
he can use her as a backup if the primary malfunctions
who are these guys?
What thighs.
Rina is gross and moronic. She was just a shameless industry plant just like the females of the last 2 movies.
You. Just. Know.
frick goddamnit anon i was about to type that.
Not white.
>kindness
Warp drive so mankind can reverse engineer it and defend against the ayyys michio kaku talks about
>what weapon
Tsar bomba
I hang around Seattle until he comes for me
do my state a favor
Same but Austin instead
Tsar Bomba detonated 1" from my head.
My brothers!
Simple, I just sound a match timer siren and watch him stop.
I'd just get poois pamilton to protect me
But what if he needs to simply turn left to shoot the baddies?
As long as the shootout isn't in Baku it should be fine
Well done
Go fishing there.
A dart gun carrying a virus that kills me and goes on to kill all the blacks, browns, russians, asians,and israelites.
1st one was 9/10, rest sucked. Reminded me of Kill Bill which is also gay.
2nd was my favorite wtf you talking about
John Wick 1 was 9.5/10
2 was 10/10
3 was a solid 8/10
never saw 4…I need to see 4
I'm gonna choose this.
>Chokes you with it
Nothing personal, kid.
>forcefield blocks you
I was a wizard the whole time
Harder daddy
If I get killed by a WA2000 at 10 yards or less I can die a happy man
Based. I love you fellow WA2000 appreciator, no homo
>What weapon (from the films or not) do you choose to be taken out with?
AN602 thermonuclear device, while I read passages of Mein Kampf out loud in front of the Knesset.
Rubber chicken
I do nothing. I sit at my computer with two glasses of whiskey. He shows up, I offer him some. He's an honorable man, I know he'll accept my gesture of good will. In return, I ask him to make it quick and painless then let him do his thing.
The frick am I supposed to do against a literal terminator of a character? Even a spirited defense would be shortlived. I'll just offer the guy a shot and be done with it.
>The frick am I supposed to do against a literal terminator of a character?
Adopt a dog. How you treat dogs seems to be the moral compass of the John Wick universe, or at least puts you on John's good/bad side.
Cobalt salted nuke pls
Fitting
>Meme
id ask him to shoot me in the chest point blank with a 20" ar (I'm wearing a vest with 8lbs of tannerite and razor blazes inside)
You know he'd bullshit a way to survive that.
>Nothing you can do about it
Mr. /r/guns there is getting fatal funnel’d with a full-auto Vz.58 and there’s nothing HE can do about it.
Hey how come the director has gone on record several times anxiously correcting people about John Wick's kill count, saying he killed two men off screen, bringing the kill count up to the traditional number for the original followers of Christ?
Hey how come that's the most common number for kill counts in action movies with a kill count over 50?
Hey
Hey
QRD?
It's nothing just some made up bullshit ignore him.
lunge mine. frick you johnny boy you're coming with me
>Also, what is the /k/onsensus on these films?
First film was legitimately great. Great gunplay, good choreography, great music, pretty visuals, nice revenge feeling, good worldbuilding. Him killing his way through the movie without getting killed seemed sort of plausible (remember his enemies in this movie are some gangsters in over their head, not super skilled professional assassins) with a lot of luck, which added to how good I considered it.
I feel pretty much the same about the second movie, aside from the worldbuilding and the plausibility of it.
The third movie was fricking terrible and I was cringing my way through most of the action scenes and it just dragged on and on, holy frick.
The fourth movie was also very bad, but unlike the third movie it was cool and entertaining, so I enjoyed it.
>great music
For all the sins of the sequels, getting rid of the soundtrack makes the least sense. "Killing Strangers" and all the other rock songs in the 1st one were perfect for the movie and gave it more character, especially for 2014.
>if the cop was paid off, im sure the neccesary city officials were too
That's how I always interpreted it, especially when Viggo says that blackmail and the leverage he had on the city was in the vault that John burned. I assumed that the Continental would be strictly for members of the criminal organization though, but in the first one, it was plausible that organized crime groups could have their own hangout building. It fell apart when it turned into a worldwide crime secret society that doesn't actually do crime other than assassinations.
A bowl of spaghetti with my ancestor's flintlock pistol from the Napoleon Era that we shot rats with.
>What weapon?
The Barmaid from the Continental.
...Snu-snu.
> I still win
hand to hand. also, i think i could make an impenetrable kill box.
A several megaton nuke. My life is boring, might as well ask for my death to be flashy.
> However, he will allow you to choose the weapon that he kills you with.
Tsar Bomba and I buy a one way ticket to Tel Aviv
>What weapon (from the films or not) do you choose to be taken out with?
A fleshlight.
I want to be wanked to death by Keanu Reeves.
Any one from the movie he wants. I can’t be hurt by CGI muzzle flashes.
6.5 grendel to the heart
I choose to be crushed by an Amazon's thighs.
Pancor Jackhammer, for the memes.
does he get plot armor? iirc he should have died in that warehouse or in the continental if marcus hadn't helped him out
I don't choose a weapon, he has to wrestle me. Good luck with that mas
You didn't watch the movies, did you?
rope
Hydrogen cyanide through a shower head in a room with wooden doors
Never watched any of these, are they good /k/ontent, or pure trash in terms of firearm porn and gunfights?
The first one is great. The 2nd is solid, the 3rd is bad and is a ridiculous premise. 4th is better than 3 and they lean straight into the absurd so it works. It’s basically three hours of gunkata so if you don’t take it seriously it’s enjoyable
They're fun movies and aren't annoying for actual firearm enthusiasts. They have their "advertisment" moments starting in 2, and by 4 they actually made a gun for the film that costs $9k irl. Overall, they're fun to turn on when you don't have anything to do for 2-3 hours.
1 > 4 >> 2 >>>>>> 3
Tsar bomba, U-238 damper, I get a plane ticket to Tel Aviv
GBU-43/B
May as well go out in style
If he's worthy, it'll at least be cool.
If he isn't worthy, I live.
15mt nuke. Aim for the head, but not on the face, please.